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To view online version of the ‘Illustrators Journal’ click on cover or here.

This is the digital home of the ‘Illustrators Journal’ (dot) com, a place for the latest news, buzz and insights for those interested in the art of illustration, animation and creative expression through narrative design.

We are proud to announce the publication of the Spring 2012 edition that features talented artists like: Mona Shafer-Edwards, Leslie Cober-Gentry, Steve Light, Roxie Munro, Mort Drucker and David Levine. There is lots to come from your favorite illustrators, animators, and the usual cast of characters like Gregg Masters (The Masters View), Lon Levin (Lonfellow’s Corner) and Mark Susnow (Inspire possibiliies).

Whether live streaming tutorials, podcasts, video or community engagement we’ll have something for everyone. For the latest in our series of podcasts, check out the most recent broadcast on ‘This Week In Digital Media‘ on BlogTalk Radio.

Our “spring” edition features is the most comprehensive, detailed and inspiring issue to date. Thanks to all who contributed..  - editor

Please join in the fun, and do consider subscribing to our blog!

Big Creative Day

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photo
This was the scene last night at PresentTense LA put on by the Jewish Federation of Los Angeles staged at the Bergamont Station. A festive and crowded affair which highlighted young entrepreneurs pitching their companies to a a packed house of onlooker, potential backer, family and friends.

So what does that have to do with me you may ask? Our design firm helped create the brand identity and the collateral materials for the companies represented. In collaboration with the Jewish Federation our firm, BTS Communications helped the young professionals present themselves via lectures about marketing and public speaking as well as working with. Our founder and creative director John Sullivan helped the entrants hone their short pitches that were highlighted at last night’s event. John won LA Fast Pitch a few years back and is well schooled to advise anyone on how to do a “quick elevator pitch” of their business. In all the event was a great success and I was proud of the work our staff senior art director Kendl Ferencz and art director Zach Fetters did to support the presenters. Ok so that was how my night went and it came after a long day that included another business pitch event that happened yesterday morning at the Twin Towers Jail downtown LA.

EBI Recently our firm designed logos and posters for Sheriff Lee Baca’s Education Based Incarceration program. In the process of doing that John Sullivan and I were asked by Deputy Dave Bates to attend a graduation of the inmates of the program. It was a very moving and inspirational experience. Here were inmates showing the work they had done in the program with the hope in their eyes and actions that they would be recognized. I was surprised at the amazing support and synergy that Deputy Bates and the sheriff’s staff showed for the inmates. As a wind-up to the event, inmates who were artists displayed their work. The work was done in pencil on bond paper. Most of it was excellent. After seeing the gallery of work I approached Deputy Bates and told him I’d like to help the artists in any way I could.EBI3 My chance came yesterday as I was asked to listen to EBI student-inmates pitch business ideas which were assembled in a powerpoint presentation. In a three hour event I watched and commented on a half dozen of them and it was an eye-opening and inspiring show of talent. All the work done had logos, artwork and in most cases financial spreadsheets. I was impressed with the efforts, research and passion the inmates showed. With limited tools under very strict and difficult living conditions they produced work that could compare to the Jewish Entrepreneurs I saw later in the day. Inspiration, innovation and passion are not bound by grey walls and lockdown steel doors. It lives in the minds of those who dare.

Old and New Nudes

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Is there a change in the way we see our photos and our work over time. In looking at the nudes I’ve shot of models, teachers, girlfriends and the like I see a definite thread throughout my work. I have serious regard for the female form and how I depict it. The emotion the excitement and the passion is always there for me and the respect for the woman I photograph whether it’s a suicide girl, a fashion model, movie star or a friend.

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NUDE #1 NUDE #2 NUDE #3A ABSTRACT MAN

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WHAT ARE MY RIGHTS?

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NUDE #8

I have this situation with a model I shot and it involves legality of whether I can show her nude photos on my blog and tag it with her model name. She claims it infringes on her right to get high rankings in google searches and therefore I need to take all her photos including the images that are not nude off my blog. So I called my lawyer and I researched a little about this subject.

First off, the nude photos I showed of her are part of displaying my portfolio. They are part of my editorial content thus protected by copyright laws. I have never offered the nude photos for sale or used them to directly promote myself in any way other than to show my portfolio work. Now that being said anyone can sue anyone for anything regardless of the law. And laws of usage vary from country to country. There’s also a caveat to the usage that talks about invading privacy. Clearly this model cares nothing of her privacy as she is all over the internet selling her wares and her nude image.

All that being said I am not mentioning her in this editorial nor am I showing her nude pictures. The nude picture above is of another model not a suicide girl or playboy model. I am also not tagging this article or doing any SEO tied to her.

Q: Do I need a model or property release to own the copyright in my photograph?

Copyrights and rights of privacy for people are different rights. When photographers take photos of people, they must be careful to not invade their privacy. This happens when someone enters a person’s private domain in a manner that would be considered offensive to the average person. As a photographer, the act of going on someone’s land without permission would be trespassing and also may violate the person’s right of privacy. You don’t have to take a photo or publish an image photo for the action to be unlawful. Some courts have found that a photographer has violated privacy rights even when photographing someone in public. Instances would include cases where the photographers harass their subjects, use hidden cameras, or wait for a woman’s skirt to be blown at a fun house. It also is unlawful to view and photograph people inside of residences or other places where privacy is normally expected, even when the photographer is standing in public.

After the photo is taken, however, the photographer should be concerned with the person’s right of publicity. You violate a person’s right of publicity when, without permission, you use a photo of a person for your own benefit. The “editorial” use of a photo is not considered a use of the person’s image for your own benefit. “Commercial” use is different because the use benefits the photographer, so you need the person’s consent to use their image. If you get a model release signed by the subject, you are free to use the image commercially, i.e., for advertising.

If an image is used in a newsworthy item then that constitutes an editorial use. In such cases, a person’s rights are evaluated in light of constitutional interests. “Newsworthiness” is a First Amendment, freedom of the press interest and is broadly construed. Courts traditionally have defined public interest or newsworthiness in liberal and far-reaching terms, not limiting it to the dissemination of news in the sense of current events. They have extended it well beyond that to include all types of factual, educational and historical data, even including entertainment and amusement and other interesting phases of human activity in general.

Commercial use of a photograph usually occurs when the picture of the person has been used purely for “advertising purposes.” While the photograph of a person may be used for something that is sold for profit, such as for use in a book or as a photographic print, selling the photo is not the test for a commercial usage. Using a picture of a person in advertising or for trade without consent may violate the person’s right of publicity, especially when it injures the economic interests of the person due to commercial exploitation. If someone looking at a photograph would think that the person in it is promoting or endorsing a product affiliated with the photograph, then the use is commercial. When the photo of a person is incorporated into a product such as a tee shirt, the use is commercial. At times, it is difficult to determine if a usage is considered commercial or editorial, so it is always safer to get the model release.

In general, if property is visible and can be photographed from a public place, you don’t need a property release to use an image that depicts the property and you may use the photo in any manner. Copyright law provides an exclusion for photographing buildings located on property, but not for statues or other items that may have separate copyrights. There also are restrictions on some governmental property. These include federal seals and insignia as well as military or nuclear installations due to security concerns. If the statue or copyrighted item has minimal presence in your image, your photo may fall under the exclusion due to fair use. Otherwise, you must get permission to take an image and to use it for any purpose.

Nevertheless, some companies have tried to prevent the use—both commercially and editorially—of photographs of their buildings or objects via trademark protection or contract law. Examples include the Rock and Roll Hall of Fame, the Lone Cypress tree on the 17 Mile Drive at Pebble Beach, CA, the Golden Gate Bridge, and the “Hollywood” sign. While these attempts have been unsuccessful, it can be expensive to litigate them

Q: Do I need to put the © notice on my photos?

You’ll often see a copyright “notice”—the familiar © or the word “copyright” with a date and name of the copyright owner—posted on creative works. A proper notice has three parts: the first part is the © (the letter “c” in a circle), the word “Copyright,” or its abbreviation, “Copr.” Some people use a “c” within parentheses like this: (c), but it has not been designated to be part of the official copyright notice. The second part notes the year when the work was first published. The third required part of a copyright notice is the name of the copyright owner. The final form looks like this: © 2011 Carolyn E. Wright. Including a copyright notice is no longer required for copyright protection, but it is a good idea to use it.

When you use the copyright notice it may stop someone from stealing your photographs, either because it serves as a reminder that the work is protected or because the notice interferes with the use of the work when it is part of the photo. Also, it helps to post a copyright notice on your photos because the infringer then cannot say the use was innocent. Further, you may be eligible for DMCA damages if your copyright notice is removed to hide an infringement (see above). You may use the copyright notice without registering your work with the U.S. Copyright Office.

West Meets East: Japanese Brazilian Artists Shine

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I was flipping channels last night and noticed an episode of public television that covered Japanese Brazilian artists. I started watching and was enthralled. The art was fabulous and the melding of the two cultures brought forth unique and exciting imagery.

If you have a chance to see this episode you’ll know what I mean when I say I have been permanently affected by the work shown. Here is a post from worldchannel.org that gives you a little background. And to my Brazilian followers speak up and tell the rest of us more about this and how the art community in Brazil feels about this work.

The story of Japanese Brazilians is little-known outside Brazil, and yet they constitute the second-largest Japanese population in the world. West Encounters East examines the lifestyles and traditions of artists from this community and celebrates the fruitful engagement of Japanese identity with Brazilian nationality.
Traveling to Brazil and Japan, Executive Producer Stella Holmes and Producer Linda Corley explore the historical, social and aesthetic elements found in the works of Japanese Brazilian artists, whose unique perspective has so far received little recognition in the West. Over the course of a year, they interview artists, including Tomie Ohtake, Monumento_Tomie_Ohtakean icon of the Japanese Brazilian artistic community, and sculptor Yutaka Toyota as well as Japanese Brazilians who have migrated back to Japan.

Told primarily through the artists’ canvases, sculptures, ceramics and photography, the film brings to light the dynamic and little-known saga of the Japanese presence in Brazil. Their mass immigration, adaptation to Brazil and assimilation into the artistic community are key to this story.

For more about this fascinating story go to the West Meets East website http://westencounterseast.com

Blind Inspiration

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vicgtory

My friend Rhonda sent me this post and so I reposted it to enlighten my audience about the terrific work she does with sightless performers.

AN ORIGINAL AND INSPIRATIONAL PLAY BY BRAILLE

INSTITUTE STUDENTS

Braille Institute offers FREE live performances of Victory, a play written and produced by our students. The play follows the moving saga of an eagle’s sight loss and his struggle to retain leadership.

Victory is one hour in length and is available on Tuesdays 10 a.m. – Noon.  It is performed by a cast of 10 in a large room or on stage. There is also an in-service on sight loss included with the performance.

If you are a community organization or activities director and are interested in arranging a performance, please contact Rhonda Volotzky at (323) 663-1111, Ext. 1330 or 1325, or e-mailRKVolotzky@brailleinstitute.org

Harryhausen Special Effects/Stop-Motion Genius

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Suicide Girls, Avatars, Transformers, Power Rangers, Star Wars…all inspired by Harryhausen in one way or another.

I remember seeing The Seven Voyages of Sinbad when I was a little kid and it terrified me and at the same time fascinated me. It was one of those seminal moments in life when you say I want to do something like that. The creator of that movie along with many other magical films and programs was Ray Harryhausen, who died yesterday in London. He was 92.

I saw this article by Oliver Gettelli in the LA Times this morning and felt the need to express my thanks to Harryhausen for scaring me and inspiring me to create art. There are thousands of us who looked to him as an inspiration including Lucas, Spielberg and Cameron so celebrate his life and spend a little time getting to know his work, he may spark something in you too.

By Oliver Gettell May 7, 2013, 2:20 p.m.

Over the course of his imaginative and painstaking career, the stop-motion animation wizard Ray Harryhausen created some of the most dazzling effects to grace the silver screen, and all without the benefit of computer-generated imagery.

Following are but a few of Harryhausen’s memorable creations.

“Mighty Joe Young” (1949)

As a teenage boy, Harryhausen had been awestruck by the original “King Kong,” which was released in 1933, so the opportunity to work alongside that film’s animation guru, Willis O’Brien, on another giant-ape movie was something of a dream come true.

“Jason and the Argonauts” (1963)

Many of Harryhausen’s adventures were set in the ancient world, including 1958′s “The 7th Voyage of Sinbad” and the groundbreaking “Jason and the Argonauts.” As trumpeted in the trailer below, “Jason” features such spectacles as “the towering bronze giant Thalos,” “vulturous harpies,” “the dreaded seven-headed hydra” and a “merciless army of skeletons.”

That last effect took four months to create for less than five minutes of screen time, Harryhausen told The Times in 2010.

Nora’s Big Play

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Last weekend I had the immense pleasure of watching Nora in her play about Mexico’s cartoon icon Cri Cri.  It was delightful as you can see in these pictures.

 

This is part of stop and smell the roses for me. Delightful time with Ahavia, Alisa, Nora and Buddy

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Ordean Features Me in “Callie” Section

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Ordean Surf Research sells rashguards & apparel inspired by the sea, adventure, and american manufacturing. Everything they sell is designed, manufactured, and printed in the United States. They are wholeheartedly committed to amazing customer service, quality american-built products, and doing our part to support U.S. jobs and the economy. I’m a big supporter and I love their gear. Check them out.

 

Recently they featured me on their site and now my work is in their California Photography section.

LLand CVR surf_6004.hr

Suicide Girl Marketing 101

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Like it or not the “Suicide Girl” movement is here to stay. Tattooed girls with electric red and blue hair and piercings have attracted attention worldwide. I have to admit I’m intrigued by these women. The daring way they go about their way of life is exciting and some of them are damn good-looking with very sexy bodies!

What I find great about this movement and lifestyle is they have tapped into the culture said here we are and then blanketed the internet with videos, photography and comic books. And so because this blog is about creativity, photography and art in its many forms I’m jumping on their bandwagon and promoting their comic book apps They are sexy funny and very well done. Kudos to the suicide girls all over the world. Keep up the good work!  Click here or on the art and be taken to their site to buy these fun books.

BTW, I get nothing out of this. It’s my way of paying back the girls especially sexy Moxi for making the world a little more fun.
SUICIDE GIRL COMIC COVER SUICIDE GIRL COMIC PAGE

Coke Reusable Rainwater Project Works

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cokeI posted this a while back yet it’s an extremely relevant story that bears repeating especially on Earth Day 2013.

OK folks so this doesn’t have the sex appeal of Moxi the Suicide girl but it is important news item that affects everyone worldwide, that includes my followers in Great Britain, Canada, Turkey, Italy, France, Germany, Indonesian and  the rest of the world who visit my humble blog.

Kudos to Coke for this project. Whatever their reasoning for doing this it is a message to us all that we need to change our thinking about water usage and recycling. Their products are still not very healthy and in many cases detrimental to our health. But they taste good and I must admit popping the top of a cold coke on a summer day brings on good memories and refreshes. In celebration of Earth Week, Coca-Cola teamed up with Detroit-based non-profit Urban Farming to launch a rainwater harvesting project at local community gardens. The project uses repurposed Coca-Cola syrup barrels to conserve water and create a sustainable water supply for vegetation in the Urban Farming gardens; thus helping to provide free, fresh produce to the community. The recycled rainwater harvesting systems will be placed in nine community gardens located throughout Detroit. With help and materials from Home Depot, garden structures called “pergolas” will be constructed within each garden and equipped with a rain barrel, solar panel and pump system. waste-waterThe rain barrel will capture rainwater from the roof of the pergolas, store and filter the water into the pump. The solar pump is connected to a drip irrigation system which when activated will water the plant life in the garden. “This Earth Day project highlights the need to learn about the new green technologies that are necessary to preserve our planet and expose our community members to green businesses and green collar job opportunities in the emerging Green Economy,” said Taja Sevelle, founder and executive director of Urban Farming. To date, Urban Farming and its partners have planted and facilitated over 24,000 community and residential gardens across the country and abroad; 1,200 of them in Detroit and surrounding areas.

The first Earth Day was on April 22, 1970. More than 20 million Americans took part in the day’s festivities. Earth Day was founded by former U.S. senator Gaylord Nelson, who was inspired by the passion of the anti-war movement. Nelson originally proposed a “national teach-in on the environment,” according to the Earth Day Network, which organizes grass roots events for the day.

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