Arthur Hughes, artwork, design, digital painting, drawing, illustration, illustrators journal, James Christensen, lon levin, NC Wyeth, painter, Ray Caesar, sketching, social media, this week in digital media on blogtalk radio, twitter, xanate media
illustrators today are influenced by Hughes and they probably don’t know who he is. A fabulous technician. He is a contemporary of Howard Pyle and was still working at the same time as N.C. Wyeth. Two modern illustrators come to mind when I see Hughes’ work, James Christensen and Ray Caesar. Even though their art is different the detail and the treatment of females in paint harkens back to Hughes.
Arthur Hughes (27 January 1832 – 22 December 1915), was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood. He is the uncle of the English painter Edward Robert Hughes. Hughes was born in London. His best-known paintings are April Love and The Long Engagement, both of which depict troubled couples contemplating the transience of love and beauty. They were inspired by John Everett Millais’s earlier “couple” paintings but place far greater emphasis on the pathos of human inability to maintain the freshness of youthful feeling in comparison to the regenerative power of nature.
Like Millais, Hughes also painted an Ophelia and illustrated Keats’s poem The Eve of St. Agnes. Hughes’s version of the latter is in the form of a secular triptych, a technique he repeated for scenes from Shakespeare’s As You Like It.
His works are noted for their magical, glowing colouring and delicate draughtsmanship.
Hughes was in close contact with the writer George MacDonald and illustrated some of his books as well as producing numerous illustrations for Norman MacLeod’s monthly magazine, Good Words.
Hughes died in Kew Green, London, leaving about 700 known paintings and drawings, along with over 750 book illustrations.