Artists Need to Reflect And Shine A Light

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What is going on in our country? This isn’t the America I grew up in or at least it doesn’t seem that way. The present leader (I use the term very loosely) of our country is a tragic and distorted abomination of our country’s obsession with winner take all mentality. Somehow he has normalized behavior that is appalling and amoral. As an artist and a citizen I feel compelled to speak out verbally and visually. Hence,..Arnold Grump, gross pig leader of the “United Farmlands”.
Arnold grew out of my daily conversations with my wife, Havi who used to be Tom Hayden’s right hand woman and knows her politics. Our combined frustration gave birth to a character we could use as our voice. There is no other intent other than to show resistance and let other people vent along with us.

Protest artists come from a long line of political satirists (Daumier, Thomas
Nast, James Gillray, Ronald Searle, Conrad, David Levine and Art Spiegelman) To get how powerful an artist can be in the political universe consider Napoleon’s comment about English caricaturist James Gillray , “He did more than all the armies in Europe to bring me down.”

The importance of your own voice cannot be minimized and it is incumbent for every American to study, listen and research what you’re hearing reading and being told. Do not just accept things at face value. This President has made promises to the American public and his base that are not being met and probably never will. That is my opinion and so I ask anyone who reads this to consider being thoughtful and mindful about what is happening and where you stand.

To not comment or to remain neutral is to agree with what is happening.

You have a voice , use it even if you only share it with family. We are free in America to express ourselves. So I implore you speak your truth.

Interview with KID LIT writer/Illustrator Kristi Valiant

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I recently became familiar with Kristi Valiant’s work and how valuable she is to Kidlit. So I thought I’d post her interview and some of her bio on TIJ website. Of course I will try to get her to talk with me for an article in the next issue of TIJ Ezine.

The whimsy and color of her illustrations and the movement of her characters are so appealing and fun you can sense the delight she gets when she goes about her work. I’m so happy to see another user of a computer to do her work. Forward thinking and steep in tradition here’s Kristi’s own bio.

In fourth grade, I got in trouble for drawing too much during class.
After graduating magna cum laude from Columbus College of Art and Design as an Illustration major, I worked in the graphics department at an educational publisher. Now I write and illustrate children’s books.
I wrote and illustrated PENGUIN CHA-CHA (Random House, 2013).
I’ve illustrated the following:
PRETTY MINNIE IN HOLLYWOOD (written by Danielle Steel, Doubleday)
PRETTY MINNIE IN PARIS (written by Danielle Steel, Doubleday)
THE GOODBYE CANCER GARDEN (Albert Whitman)
CORA COOKS PANCIT (Shen’s Books)
THE LITTLE WINGS Chapter Book Series (Random House)
DO YOU LOVE ME MORE? (Standard)
OLIVER’S FIRST CHRISTMAS (Accord)
DANCING DREAMS (Accord)

Some of my favorite things in life are my husband and daughters, dark chocolate, hot fudge pudding cake, collecting picture books, reading, swing dancing, musicals (especially Fred Astaire and Ginger Rogers), monkeys, penguins, and my faith in Jesus.
I grew up in Wisconsin, studied in Ohio, moved to Texas, taught English for a summer in China, and now live in Indiana with my husband, daughters, and a room full of hippos and monkeys. I tend to draw a mouse, hippo, monkey, and penguin somewhere in each of my recent picture books.

I create my art in Photoshop using a Cintiq display and pressure-sensitive pen. I find that working digitally allows me to be creative and edit easily, without the hazard of spilling dirty painting water or drinking it by mistake.

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12:01 – 20 April, 2017 by Patrick Lynch

The words of David Adjaye are so on point in design that it’s appropriate to include this video and article on our site. Whether you’re an illustrator, painter, sculptor or architect his words ring true.

TIME Magazine has named architect David Adjaye to their annual list of 100 Most Influential People, recognizing the world figures who have had the most impact on society in the past year in five categories: Pioneers, Titans, Artists, Leaders, and Icons. Unlike Bjarke Ingels and Wang Shu – who were selected under the Artist category in 2016 and 2013, respectively – Adjaye was nominated in the Icons category alongside champions including media personality RuPaul, subversive photographer Cindy Sherman, and US Congressman John Lewis, the civil rights leader who was the original advocate for a National African American Museum in Washington, which was eventually designed by Adjaye and inaugurated last September.

In the citation for the award, Thelma Golden, director and chief curator of the Studio Museum in Harlem (and currently working with the architect on an expansion project for the museum), describes Adjaye as “one of the great architectural visionaries of our time,” and lauds his work as “deeply rooted in both the present moment and the complex context of history.”

Are These Sands Crabs, Insects or Creatures From Outer Space: Does It Matter?

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This painting is from a children’s book without a home yet. It’s called Emma and Digger. It started out as a sand crab adventure story, yet I fear that since Emma and Digger don’t exactly look like sand crabs that perhaps they should just be little beach creatures and call it a day. I’ve gotten feedback that these are insects or sand crabs don’t look like that.

If you’re working on your own projects I’m sure this has happened to you. You get excited about the work and suddenly after the fact you realize you’ve done something that doesn’t make sense…or does it?

I think sometimes people cannot let go of what their perceptions are to see the bigger picture. Here it’s about losing family and friends and creating your own life and completing the cycle. Not about whether Emma and Digger are sand crabs, insects or from outer space. Thoughts??

End of the Week and What Have You Done?

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This is what I worked on this week. It’s an illustration from my upcoming book about imagination.It’s not done but it’s close enough to show. It started as a sketch of three kids modeled after my daughter’s kids and blossomed into what it is now.

I ask the question of you like I ask the question of myself. What have I done this week, this day, etc Most of the time we are on auto-pilot and don’t think too much about what we’re doing. We have house chores, bills to pay, assignments to complete, kids to take care of etc. The thought of having another goal or task is overwhelming, especially a personal goal. So those goals like I’m gonna write a children’s book or create a painting seems like it can wait.However taking it in small does you can accomplish a lot. That’s how I approached this art and all the other projects I set for myself.

If this resonates with you you may want to read “The Compound Effect” by Darren Hardy or Small Move Big Change by Caroline Arnold.

Keep up the good work, watch for the Spring Edition of the Journal and much more to come!

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For those of you who don’t know Zaha’s work here is a reprint from Arch Daily. What is especially relevant to us as artists is how she started building her ideas in architectural masterpieces. The process is one of discovery which is relevant any form of artwork. What we do at the highest level is not paint-by-numbers, it is exploring the possibilities from all angles…literally and figuratively. I’ve found that the most I explore my tools and my ideas the stronger they become. I encourage you to do the same. Read about Zaha and strive to be great!

Dame Zaha Mohammad HadidDBERA (Arabicزها حديد‎‎ Zahā Ḥadīd; 31 October 1950 – 31 March 2016) was an Iraqi-born British architect. She was the first woman to receive the Pritzker Architecture Prize, in 2004. She received the UK’s most prestigious architectural award, the Stirling Prize, in 2010 and 2011. In 2012, she was made a Dame by Elizabeth II for services to architecture, and in 2015 she became the first woman to be awarded the Royal Gold Medal from the Royal Institute of British Architects.

Ordrupgaard Museum Extension1 2005. Image Courtesy of Zaha Hadid ArchitectsPhaeno Science Centre 2005. Image Courtesy of Zaha Hadid ArchitectsTerminus Multimodal Hoenheim Nord1 2001. Image Courtesy of Zaha Hadid ArchitectsRosenthal Center for Contempoary Art 2003 . Image Courtesy of Zaha Hadid Architects+11

A year after her untimely passing, we take a look back on one of the hallmarks of Zaha Hadid’s career as an architect: her sketches. In October we wrote about how her paintings influenced her architecture. Now, we examine her most emblematic sketches and the part they played in the initial formal exploration of her design process.

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Terminus Multimodal Hoenheim Nord1 2001. Image Courtesy of Zaha Hadid Architects

Terminus Multimodal Hoenheim Nord1 2001. Image Courtesy of Zaha Hadid Architects
 
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Phaeno Science Centre 2005. Image Courtesy of Zaha Hadid Architects

Phaeno Science Centre 2005. Image Courtesy of Zaha Hadid Architects
 

Drawings, whether done by hand or digitally, are the result of a personal, intimate process of thinking through a project and setting a path for the general development of the design. Possessing different characteristics and intensities, each sketch is a reflection of the author’s thoughts–acting as both a kind of signature and the theoretical seed of a larger process. Some architects use sketches to define details and create their design from that starting point, some use the drawing itself to determine the form of a project, and other architects draw the context in order to imagine the specific location of their project.

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Rosenthal Center for Contempoary Art 2003 . Image Courtesy of Zaha Hadid Architects

Rosenthal Center for Contempoary Art 2003 . Image Courtesy of Zaha Hadid Architects
 
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Rosenthal Center for Contempoary Art 2003 . Image Courtesy of Zaha Hadid Architects

Rosenthal Center for Contempoary Art 2003 . Image Courtesy of Zaha Hadid Architects
 

Zaha’s exceptional, unique sketches don’t have much to do with concrete visions of what a project will eventually be. On the contrary, her drawings are profoundly influenced by her admiration for artistic abstraction. The beauty lies in the formal liberty that Hadid mines as she approaches what will eventually become her buildings. The drawings depict formal exercises, spatial conceptualizations, compositions, construction systems, structures, or contextual relationships (among other things). They are an invitation to use the liberty gifted to us by the act of drawing.

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Phaeno Science Centre 2005. Image Courtesy of Zaha Hadid Architects

Phaeno Science Centre 2005. Image Courtesy of Zaha Hadid Architects
 

This Week In The Arts: The Archives

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As we go through our “archive spring cleaning we wanted to highlight some of our more interesting interviews. The PodCast will be a regular feature on our site moving forward with interviews and views that will entertain and enlighten.


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