art, artist as brand, artwork, digital media, illustration, illustrator, illustrators journal, innovation, social media
“I’d love to be able to support myself fully with illustration sometime in the near future. That’s the ultimate goal. It takes time to make a presence and build a client base. Patience has been key. I’m having fun with my illustration journey and learning lots along the way.”
When did you first think about art as something you wanted to do? Were you encouraged or discouraged by family, friends, teachers, mentors?
It was in high school when I started taking art seriously and considering it as a career option. An advisor at a portfolio reviewsuggested illustration as a focus for my work. I took the advice and pursued illustration at Pacific Northwest College of Art. My family was very supportive in the decision.
What kind of kid were you? Where did you grow up? What were your influences?
I grew up outside of Portland, Oregon. I was creative as a kid, always drawing and making things. Like most 90’s kids, I was very inspired by Pokemon and began drawing all of the characters.
Your style is very unique. Did you work on developing a style or is that what naturally came out of you?
My style has naturally developed over the past 5 years of working as a freelance illustrator. I’ve put effort into keeping the way I draw and create digital illustrations consistent. This allows my work to be recognizable and ensures clients that I can produce different kinds of images with the same look and feel.
You do a lot of actively colorful art work. How did that happen?
It’s a stylistic choice, for sure. When I first started right out of school, my color sense was super dark and overly saturated. I was working for some weekly newspapers and magazines and noticed that my illustrations were printing too dark. I then started using brighter colors and liked the results much better.
Has the computer affected your work? Do you work traditionally and digitally?
I work in both traditional and digital media. Right now I’m working more digitally than traditionally. It’s much faster when trying to meet deadlines! That being said, I’ve created digital brushes using my own art marks. I’ve also created a large collection of drawn and painted shapes and textures to drop into my digital work. This allows me to work digitally, but keep the hand drawn elements, too. It’s fun to take a day and make a mess of traditional media and then scan it all in to use for later.
For the entire interview follow this link